UPCOMING MASTER TEACHERS AT LAKESHORE WRITERS WORKSHOP:
Fiction Workshop with KAREN JOY FOWLER
September 13-14, 2014
Saturday-Sunday • 9:30 a.m. to 4:30 pm
(90 minute break for lunch)
The class will include a craft lecture and detailed discussion and critique of manuscripts. Karen’s lecture: The Vivid Particular will focus on Setting.
“Sometimes,” Karen says, “we’re so deeply inside our characters that the physical world doesn’t exist in our stories in any consequential way. You have undoubtedly already been told, and probably many times, to evoke all five senses when you write, but you always forget. By you, of course, I mean me. Let’s remember together!”
Karen Joy Fowler is the author of six novels and three short story collections. She was recently awarded the PEN/Faulkner Award for her riveting novel We Are All Completely Beside Ourselves, published by Putnam in May 2013. (Check out Teresa’s interview with Karen about this book in Bookslut.) Her novel, The Jane Austen Book Club spent thirteen weeks on the New York Times bestsellers list and was a New York Times Notable Book. Fowler’s previous novel, Sister Noon, was a finalist for the 2001 PEN/Faulkner Award for fiction. Her debut novel, Sarah Canary, was a New York Times Notable Book, as was her second novel, The Sweetheart Season. In addition, Sarah Canary won the Commonwealth medal for best first novel by a Californian, and was listed for the Irish Times International Fiction Prize as well as the Bay Area Book Reviewers Prize. Fowler’s short story collection Black Glass won the World Fantasy Award in 1999, and her collection What I Didn’t See won the World Fantasy Award in 2011. She is the co-founder of the James Tiptree, Jr. Award and the current president of the Clarion Foundation.
Master Class with KEVIN MCILVOY
To Be Announced 2015
Kevin “Mc” McIlvoy has taught creative writing for thirty years. He serves as a faculty
member for the Warren Wilson College MFA Program in Creative Writing. He recently retired as Regents Professor at New Mexico State University where he was editor of the national literary magazine, Puerto del Sol. His work has appeared in TriQuarterly, Harper’s Magazine, The Collagist, The Southern Review, River City, Ploughshares, and The Missouri Review. He has published four novels: A Waltz, Little Peg, Hyssop, andThe Fifth Station, as well as a collection of stories, The Complete History of New Mexico. He describes himself as a learner-teacher who expects writers to recognize that the moment before them always provides insight into “the big picture” of their past and future lives as artists. He mentors writers and edits book manuscripts through his website: www.mcthebookmechanic.com
Mc’s Master Class will include craft lecture and review and discussion of manuscripts. Mc asks that participants be prepared to articulate with exceptional specificity the possibilities in their own work, and, in light of those possibilities, their usual approaches to transforming the work. Assuming that writers do not wish to merely bandage, patch, and repair “problems” in their drafts, he will propose specific methods for avoiding “default” modes of structure, for achieving dynamic balance in the larger and smaller elements, for reckoning with the complexities of narrative sensibility, and for gaining new insight into the presentation of setting and time. He will center this class on distinctions between “construction” and “creation” of the work, and on distinctions between the reader’s “reactions” and the reader’s “responses.”
PREVIOUS MASTER CLASSES
John Freeman Award-winning author, book critic and former editor of Granta. December 2013
John Freeman, former editor of Granta and one time president of the National Book Critics Circle, has written about books for more than two hundred publications worldwide, including the New York Times Book Review, the Los Angeles Times, the San Francisco Chronicle, The Wall Street Journal, The Guardian, La Republica, and La Vanguardia. His first book, “The Tyranny of E-mail”, was published in 2009. His latest book, “How to Read a Novelist” was published in October 2013. His poetry has been published in The New Yorker, ZYZZYVA, and The Paris Review. He lives in New York City and teaches at Columbia University.
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Lakeshore Writers Workshop offers generative workshops focused on creative process and the craft of writing, in addition to manuscript and craft classes.
Workshops resume in January 2015
8-WEEK WEDNESDAY EVENING: 6:30 to 9:00 pm TBA
8-WEEK THURSDAY MORNING: 10:00 a.m. to 12:30 pm TBA
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One-On-One Coaching and Manuscript Consultation on-going, by arrangement.
Lakeshore Writers is located in the Bellevue Club on the shore of Lake Merritt in Oakland, California.
For additional information regarding workshops, cost and availability, or to arrange for one-on-one coaching and manuscript consultations, please contact Teresa.